Native Americans recorded their lives in the petroglyphs scratched on weathered sandstone
Time after Time - a synopsisThere's a piercingly relevant quote attributed to Calgacus, a leader of the Caledonian tribes of Scotland, in response to the Roman Empire's efforts to conquer Scotland, around 79 AD. "In them is an arrogance which no submission or good behaviour can escape. Pillagers of the world, they have exhausted the land by their plunder and now they ransack the sea. A rich enemy excites their cupidity, a poor one their lust for power. To robbery, butchery and rapine they give the lying name of Government; they create a desolation and call it peace."
We all come from a very long lineage of conquerors. Conquerors "take" the world with the attitude of "them or us". They believe in the justice of progress, at all costs, to overtake cultures, wipe them out, and replace them with their own vision of evolution, from the past to the future, still thinking in terms of linear time.
But we haven't wiped out the reality of our ancient ancestors! Our ancient heritage is still with us, especially in our arts - thriving on a spiritual level, fulfilling the human desire to reach out beyond our narrow confines. Strength is built through resistance. The land we stand on resists destruction. It heals itself, given half a chance, just like we do.
Today, we are on the threshold of understanding that meaningful encounter need not be destructive. Conquest belongs to the primitive past.
In Time after Time , songs, poetry and historic speeches give voice to the boundless human spirit. The Irish will be reminded of the colourful and magical legacy of their ancient ancestors. Americans will rejoice in the spirit of their indigenous people, and the tenacity of early settlers who sought peaceful refuge in the wilderness. Australians will glimpse the world of wondrous, mythic proportions in the art of the indigenous people, who still demonstrate how to live in harmonious community, not "off the land" but with the land.
W.B. Yeats' poem, The Song of Wandering Angus, (Angus is the ancient Celtic god of love), and an old song from the North Western islands, The Great Silkie of Sule Skerry, imbue us with mystique surrounding ancient visions of Otherworlds, Shapeshifters and Conjurers, perfectly explained in W.B. Yeats essay, The Trooping Fairies.
An old Irish song of courtship, The Verdant Braes of Skreen, brim full of plain wisdom, leads us to ancient sacred gathering places of Ireland-on mountaintops, beside seashores and riversides, at holy wells, sacred groves and stone circles.
In the classic Irish revolutionary song The Rocks of Bawn we feel the personal frustration of an individual struggling for mere survival at the dawn of the British Empire. The old English song Go From My Window, in this setting, discreetly represents the betrayal of the Irish people. The traditional song Waly Waly is an archetypal blues song, loved across the Celtic Diaspora because it expresses an emotional sense of "sink or swim" beyond the bonds of romance, for freedom had again been submerged.
The hymn In The Garden, written in 1913 by C.A. Miles, goes straight to the heart as a tribute to early settlers; most of them forced to immigrate as slaves, indentured slaves, convicts and free settlers; all forced to make new lives for themselves. Yet, we know, from their songs and stories, that they were full of hope and a willingness to work hard for their children's future; eking out a living in a strange new world, longing for the family and native land they would never see again; bonding through their music and their vision of paradise promised by their faith. While most had no understanding or respect for the indigenous peoples, many did see the beauty in the indigenous ways. Native people made settlers welcome when they encountered each other in a peaceful and respectful manner, and they have intermarried and nurtured generations of families together.
Ben's instrumental composition Perquimans Lament, named after the native land of his Cherokee ancestors, conveys the melancholy "blues" of the people, natives and immigrants, as we follow their trail across North America. The contemporary lament Across the Borderline speaks poignantly of the early settler's quest for peace in a new land. The legacy of genocide perpetrated on the indigenous people is brought home to us in portraits taken by Edward S. Curtis at the beginning of the 20th century, now archived in the Library of Congress. Over these images, Ben reads the legendary speeches of great chiefs: The Cherokee Travelers' Greeting and speeches by Chief Joseph Nez Perce, from 1879, Charles Hicks, Tsalagi (Cherokee) Vice-Chief on the Trail of Tears of 1838/39, and more from Chief Seattle's famous 1854 speech.
Colour Me reflects on life in the present moment, as it unfolds in the modern city, over layers of cultural experience gathered through osmosis; "crumbling grey clad city walls hide our ancient lore, this treasure we have won." These treasures are seen in paintings and photographs by Donny Woolagoodja, an elder of the Worrora tribe, and a Mowanjum Wandjina artist from the Kimberly region in Western Australia, depicting the mythology and culture of his native land and people.
Wayne O'Donovan, cartographer, and Joanne O'Donovan, linguist, have shared images of community life in Ramingining, in Arnhem Land, which they filmed while they were mapping the area and creating a dictionary of the Gunnalbingu language during six months of 2003.
Bobby Bunnungurr, artist, singer and elder of the Maliburr tribe in Ramingining in North East Arnhem Land, counsels us with his words of wisdom, "We are all one red blood…" Michael Dawu, musician and dancer, also from Ramingining, sings of the relationship between the people, the mountains and birds of his native land. Bobby and Michael are also members of the internationally renowned music group Waak Waak Jungi.
In Feeling Wings, "We live and die for freedom to hear love's spirit sing." Beauty heals suffering. "Bringing words to love's songs to bind our hearts in one." We've survived our histories of suffering and oppression. We will move on to fulfill our heritage of joy in a multi-cultural world.
Our song, Never Drift Apart takes us full circle, through the spirit of love and reconciliation back out into the vastness of space, to rejoice in the magnificent genius of creation in our boundless universe, for we are all made of stardust. "This embrace will always be my sanctuary, my sacred place, my peace" as we celebrate the unfathomable majesty of the human soul and the timelessness of our shared wisdom, Time after Time.
Order the Time After Time DVD, and music CDs by Maireid Sullivan from Bushducks using Paypal. Your order will be shipped directly from Lyrebird Media in Australia.
Time After Time DVD
(PAL Region free format. Order this option for outside the U.S. and Canada)
A celebration of the great heritage of ancient Celtic, American, and Australian peoples, in film, photos, music, historic speeches, poetry, and song.
Time After Time DVD
(NTSC format. Order this option for the U.S. and Canada)
As above, but DVD format for the U.S. and Canada
never drift apart
Never Drift Apart CD
"Irish songstress and Celtic chronicler... Possessing a rich, pure voice and a poet’s vision... soothes and uplifts... haunting, beautiful, gorgeous." Mike Daly, The Age, Melbourne, Australia
for love's caress
For Love's Caress CD
"...a bold, daring and courageous album full of unexpected twists and delightful turns.....a sweet oasis of transcendental delight." John O'Regan, Rock'n'Reel, Ireland
"She sings with a voice filled with passion, mystery and wisdom. She sings of creating a better world, shaping our tomorrow. Reaching for the music of the spheres, with nature as an anchor, she reminds us that life is a dance and we are the dancer." Kevin Maxwell - Music Manager, The Bodhi Tree Bookstore, Los Angeles
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